Programme, Friday November 13.
9.00. Paper sessions 4a, 4b and 4c.
4a. Sound Writing and Technologies
Room: LUX C126
Chair Sara Tanderup Linkis
- Sarah Hedman Dybeck. The New Storytellers: The Rise of AI Voices in Audiobooks
- Mattias Heldner and Christina Tånnander. Can we measure liking and disliking of speaking voices from brain activity?
- Millicent Weber. Janky, digital audiobooks: A case study
4b. Sound Poetics and Voices
Room: LUX A233
Chair: Julia Pennlert
- Jesper Olsson. Home Recording Poetics: Gunnar Ekelöf’s 1950s Experiments with Tape and Text
- Jimmie Svensson. Eye versus ear: Swedish hybrid verse around 1940
- Astrid Elander. Voice across Media: The recorded Voice in Friederike Mayröcker’s Writing
4c. Intermediality and Audio Technologies
Room: LUX C214
Chair: Karin Lundin
- Aino M. Kolehmainen. Devices of Description and Demediation: Use of Sound Technologies in Audio Narratives. Case Example Stereo Night Ash by Toehider
- Anna Bergiel. Between God and the Daimonion: On the Ambiguous Nature of Rhythm in the Poetry of Czesław Miłosz
- Sanaz Alizadeh Tabrizi and Yıldıray Çevik. Auditory Forms of Consciousness: Rhythm, Voice, and the Sounding Self in Woolf and Rhys
10.30. Coffee break
11.00. Industry talk. Beyond Words: Towards an Acting Metholody for Audio Literature
Aina Calpe Serrats. Room: LUXC126.
Chair: Julia Pennlert
12.00. Lunch
13.00. Panel sessions 1, 2 and 3
Panel 1. The erotic power of voice and sound. Space and connections in contemporary audio erotica and audio romance
Room: LUX C126
Moderator: Anna Hultman. Panelists. Jenny Sundén, Anna Hultman, Sara Tanderup Linkis, Tuva Haglund, Elin Abrahamsson, and Maria Engberg.
Panel 2. Sounding Poetry in the Digital Age: Presentation of Books Sonic Poetry: Technological Methods as Artistic Practice and Digital Oral Poetry: Voice and Subjectivity in Algorithmic Culture
Room: LUX C214
Moderator: Julia Pennlert. Panelists: Vadim Keylin and Marc Matter
14.30. Coffee break
15.00. Concluding remarks
Sara Tanderup Linkis and Julia Pennlert.
Room: LUX C126.
