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This paper engages with the concept of periphery, as presented in Tamsma’s classic paper (1972), and reflects upon what has (or has not) changed in our approach to studying peripheries within regional economic geography over the past fifty or so years. In addition to providing reflections across time, it discusses the situation that Tamsma introduces the Netherlands periphery (the North) from the

This commentary re-evaluates the study by Makó et al. which reconstructs dust accumulation rates from loess–paleosol sequences in the Carpathian Basin. Several methodological and factual issues substantially limit the reliability of their interpretations. The study reports linear sedimentation rates (mm a−1) as mass accumulation rates (MARs) without accounting for bulk density, rendering their val

This paper traces the evolution of managerial thought, from the time of industrialization in Europe to the present day, to build a conceptual infrastructure for studying the continuously evolving phenomenon of algorithmic management. We develop this account using Foucault's genealogical method in order to expand the dominant view of algorithmic management as merely a form of digital Taylorism and

Book review.

In the original version of the article, the following author name has been incorrectly published. Incorrect name: Carolin Ericsson Selin. Correct name: Caroline Selin. The original article has been updated.

Group exhibition.Participated with the work: 'Two Minutes To Midnight' The exhibition Poetics of Power aims to reveal certain power manifestations hidden in symbols, gestures and existing unquestioned relations or systems. It asserts the intricate and ambiguous nature of power, omnipresent in shaping interpersonal, cultural, national, and economic dynamics. The exhibition explores the poetic natur

Group exhibition. Participated with the work Trembling Time (2001).The Orangerie presents a collection of video works that fuse documentary and fiction in an attempt to observe and understand complex entanglements. Emerging from sedimented political and social environments, the artists explore various image-making tools to break through the seen world. Appearing along a circular path in Grüneburgp

The interdisciplinary cooperation project »Summer of the Arts« showed works by the 2022/2023 and 2023/2024 recipients of the Villa Massimo’s German Rome Prize in eight institutions in Stuttgart. The Staatsgalerie Stuttgart presented the art created by Yael Bartana, Manaf Halbouni, and Bjørn Melhus during their stays in Rome in dialogue with works from the Staatsgalerie collection.

Group exhibition. Participated with the work Light to the Nations .Will the sky fall on our heads one day? Meteorites have a magical attraction, but at the same time they fuel age-old fears. Whereas in the Middle Ages they were regarded as divine signs and ominous devil’s stones, today people fear a natural disaster: a meteorite impact that could wipe out our civilisation. Perhaps not such a far-f